ShanDien Sonwai LaRance

World-Renowned Native American Hoop Dancer & Cultural Ambassador

ShanDien Sonwai LaRance is a world-renowned Native American hoop dancer, performing artist, instructor, actor, model, and public speaker. With over 25 years of dance experience, she is proudly Hopi, Tewa, Navajo, and Assiniboine, born and raised in Flagstaff, Arizona, to artists Marian Denipah-LaRance and Steve Wikivia LaRance. Surrounded by Native jewelry, sculpture, painting, ceremony, and community, she was immersed in Indigenous art and culture from birth.

ShanDien began her hoop dance journey at eight years old under the guidance of her older brother, the late Nakotah LaRance, a nine-time World Champion and one of the most influential hoop dancers in history. Performing alongside Nakotah and her younger brother Cree LaRance, she spent her childhood sharing their family’s artistic legacy at festivals, conferences, and cultural gatherings throughout the Southwest.

After graduating high school, ShanDien followed in Nakotah’s footsteps and ran away to the circus, joining Cirque du Soleil’s Big Top show TOTEM as a lead character and cultural performer. Over the next nine years, she completed more than 5,000 performances in over 25 countries, mastering the art of hoop dance and becoming an international cultural ambassador for the Native American and First Peoples communities and nations.

Her career has included performances at some of the world’s most prestigious venues and celebrations. She was a featured hoop dancer at the White House Inaugural Native American Heritage Celebration, hosted by Dr. Jill Biden, and she served as a cultural performer at the World Expo 2024 in Osaka, Japan, representing the United States at the U.S. Pavilion. ShanDien has been recognized as a Dance/USA Fellow, performed with the Brooklyn Ballet’s Nutcracker, contributed her voice as the Eagle Dancer for Netflix’s Spirit Rangers, and headlined the SWAIA Santa Fe Indian Market Haute Couture Fashion Show. Her artistry has been showcased at the Miccosukee Arts & Crafts Festival, featured in Lonely Planet’s Best of Travel: New Mexico Local’s Guide, highlighted in the statewide New Mexico True tourism campaign, and brought to the stage as a lead performer in Cirque du Yaateeh. She also serves as the creative director of the Mystic Echoes Indigenous Dinner Show in Santa Fe.

The passing of her brother Nakotah in 2020 profoundly reshaped her purpose. ShanDien returned home with a deeper commitment to honoring his legacy and upholding their family’s teachings while uplifting Indigenous communities. She stepped into the role of master instructor, teaching more than 100 Indigenous youth and witnessing many of them grow into champion dancers and cultural performers. Through her mentorship, she watched young Indigenous individuals transform into confident, grounded, and culturally proud members of their communities.

Today, ShanDien’s work is rooted in a powerful mission: to reconnect Native American and First Peoples—especially adults—to movement, wellness, cultural identity, and healing through the practice and philosophy of the hoop dance. Her teachings emphasize movement as medicine, fitness grounded in culture, healing through storytelling and motion, and identity shaped through the circle of life.

Guided by tradition and her family’s enduring legacy, ShanDien Sonwai LaRance continues to stand as one of the foremost Indigenous performers of her generation, committed to strengthening her community through culture, movement, and the transformative power of the hoop.

Notable Performances, Awards & Recognitions

Media And Press

Throughout her career, Sonwai has been featured by national and international media outlets, tourism campaigns, cultural institutions, and arts organizations for her work as a Native American hoop dancer, performing artist, cultural ambassador, and educator.

Through these collaborations, Shandien strives to create greater visibility for Native American performing arts while fostering understanding, appreciation, and respect across diverse audiences.

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